U.S. patent number 3,614,320 [Application Number 04/783,618] was granted by the patent office on 1971-10-19 for stereophonic sound enhancement system with reverberation chamber.
This patent grant is currently assigned to RCA Corporation. Invention is credited to John E. Volkmann.
United States Patent |
3,614,320 |
Volkmann |
October 19, 1971 |
**Please see images for:
( Certificate of Correction ) ** |
STEREOPHONIC SOUND ENHANCEMENT SYSTEM WITH REVERBERATION
CHAMBER
Abstract
The reverberation characteristics of an auditorium or music hall
are improved by picking up the sound originating in the auditorium
with microphones, and reproducing the sound in a second room having
a more optimal reverberation characteristic. A second set of
microphones in the second room picks up the sound and its
reverberations for transmission to a group of loudspeakers in the
auditorium, where it is blended with the original sound.
Inventors: |
Volkmann; John E. (Princeton,
NJ) |
Assignee: |
RCA Corporation (N/A)
|
Family
ID: |
25129875 |
Appl.
No.: |
04/783,618 |
Filed: |
December 13, 1968 |
Current U.S.
Class: |
381/64 |
Current CPC
Class: |
H04S
3/00 (20130101) |
Current International
Class: |
H04S
3/00 (20060101); H04r 005/02 () |
Field of
Search: |
;179/1.6,1.2RE,1J
;181/.5B,30,.5 |
References Cited
[Referenced By]
U.S. Patent Documents
Other References
Stereophonic Localization: An Analysis of Listener Reactions to
Current Techniques; Eargle, John M.; IRE Transactions on Audio;
September-October, 1960; pp. 174-177..
|
Primary Examiner: Claffy; Kathleen H.
Assistant Examiner: Myers; Randall P.
Claims
What is claimed is:
1. A sound enchancement system comprising:
a primary chamber,
a secondary chamber having selected physical dimensions such that
the mean free path of sound in said secondary chamber is of the
same order of magnitude as the mean free path of sound in said
primary chamber,
means for transmitting electrical signals representative of sound
in said primary chamber to said secondary chamber and converting
said electrical signals into sound, said means for transmitting
electrical signals representative of sound in said primary chamber
to said second chamber comprising a plurality of stereophonically
related channels, and
means for transmitting electrical signals representative of the
sound along with its reverberations from said secondary chamber to
said primary chamber and converting said electrical signals into
sound, said means for transmitting electrical signals
representative of said sound along with its reverberations from
said secondary chamber to said primary chamber comprising a
plurality of stereophonically related channels, thereby to enhance
the acoustical characteristics of said primary chamber.
2. A sound enchancement system as defined in claim 1 wherein,
said secondary chamber has a reverberation time which is longer
than the reverberation time of said primary chamber.
3. A sound enchancement system as defined in claim 1 wherein,
said means for transmitting electrical signals representative of
said sound in said primary chamber to said secondary chamber
further includes pickup means in said primary chamber located near
to where the sound originates from so as to pick up a direct sound
wave front.
4. A sound enchancement system comprising:
a primary chamber;
a secondary chamber, having a reverberation time longer than the
reverberation time of said primary chamber and having selected
physical dimensions such that the mean free path of sound in said
secondary chamber is of the same order of magnitude as the means
free path of sound in said primary chamber;
first means for transmitting electrical signals representative of
sound is said primary chamber to said secondary chamber comprising
a plurality of stereophonically related channels and including
pickup means, located in said primary chamber near to where the
sound originates, for picking up a direct sound wave front, said
first means further including reproducing means, located near wall
in said secondary chamber corresponding in spatial array to the
positioning of said pickup means in said primary chamber, for
reproducing said sound-wave front of said primary chamber in said
secondary chamber; and
second means for transmitting electrical signals representative of
the sound along with its reverberations from said secondary chamber
to said primary chamber and converting said electrical signals into
sound, thereby to enhance the acoustical characteristics of said
primary chamber, said second means comprising a plurality of
stereophonically related channels.
5. A sound enchancement system as defined in claim 4 wherein,
said means for transmitting electrical signals representative of
said sound along with its reverberations from said secondary to
said primary chamber further includes in said secondary chamber,
pickup means located near walls other than from where said sound
wave front is originally introduced therein.
6. A sound enhancement system as defined in claim 5 wherein,
said means for transmitting electrical signals representative of
said sound along with its reverberations from said secondary to
said primary chamber further includes in said primary chamber
reproducing means located near walls other than from where said
sound wave front originates.
Description
SOUND ENHANCEMENT
This invention relates to sound reproducing systems and more
particularly to a system to provide for the enchancement of the
reverberation characteristics of a music hall or auditorium.
A problem common to many music halls and auditoriums is that the
reverberation time of the hall auditorium may be too short.
Reverberation time is defined as the time it takes for a given
sound intensity to decrease a fixed amount. A hall with too short a
reverberation time has been referred to as a "dry" hall and such a
hall does not provide the appropriate acoustical characteristics
for optimum presentation and recording of music. Various methods
and systems to solve this problem have been attempted.
One system known in the prior art consists of transmitting sound
from an auditorium to an acoustical chamber of small dimensions
relative to the auditorium and then transmitting the reverberated
sound from the acoustical chamber back to the auditorium. Such a
system is disclosed in boux et al., U.S. Pat. No. 2,107,804. The
disadvantages of this system are that it provides the listener with
a feeling that the sound is artificially reverberated or altered
instead of naturally reverberated. This may be caused by the
reverberated sound lacking spatial distribution and directional
illusion, or by the reverberated sound having an effective mean
free path which is considerably different than the natural mean
free path of the music hall. Mean free path is defined as the
average distance sound travels between successive reflections in a
chamber.
An object of this invention is to provide an improved system for
presenting or recording a sound program, such as music, in an
auditorium with a given reverberation characteristic in a manner
such that the auditorium appears to have enhanced reverberation
characteristics.
A further object of this invention is to enhance the reverberation
characteristics of a hall or chamber without significantly changing
other acoustical characteristics of the hall or chamber.
In accordance with the invention, the natural reverberation
characteristics of a secondary chamber is superimposed on the
reverberation characteristics of a primary chamber in such a manner
that the reverberation characteristics of both chambers are
naturally integrated or blended together in the primary chamber
with respect to time sequencing, spatial distribution, direction
illusion, and amplitude levels, and without amplifying the direct
orchestral sounds or detrimentally altering the inherent good
acoustics (clarity, definition, blending, so-called presence,
intimacy, etc.) of the early sound reflections in the primary
chamber. The dimensions of the secondary chamber are such that the
effective mean free path of the reverberated sound is of the order
of that of the primary chamber.
Various other objects and advantages will appear from the following
description of the several embodiments of the invention, and the
novel features will be particularly pointed out hereinafter in
connection with the appended claims.
The drawings diagrammatically represent different examples of means
for carrying out the invention.
FIG. 1 is a schematic diagram of a system for recording sound in an
auditorium with enhanced reverberations; and
FIG. 2 is a schematic diagram of another embodiment of a system for
recording sound in an auditorium with enhanced reverberations.
Referring now to the drawings and in particular to FIG. 1, the
music hall or primary chamber 10 which has a reverberation time
characteristic that is not regarded as sufficiently long for the
presentation or recording of music comprises a stage portion 12 and
an audience portion 14. At least two pick-up devices or microphones
16, 18 are located in the area of the audience portion 14 adjacent
the stage portion 12 in a position to pick up the direct sound wave
fronts of the music presentation from the stage portion 12.
It will be understood that the microphones 16, 18 could also be
located on the stage portion 12, the exact location of the
microphone being dependent on the location of the sound source
(orchestra). A pair of microphones 16, 18 are connected to the
respective input terminals 20, 22 of a pair of amplifiers 24, 26
which may be located in the music hall 10 or exterior thereof. The
output signals from the amplifiers 24, 26 are then respectively
coupled to a pair of loudspeakers 28, 30 located in a secondary
chamber or room 32 which is separate from the primary chamber 10.
The loudspeakers 28, 30 are distributed in the secondary chamber 32
so as to reproduce stereophonically therein the sound wave fronts
as they are picked up in the primary stage 10. This is accomplished
by distributing loudspeakers 28, 30 in the secondary chamber 32 in
a similar or corresponding spatial relationship to the positioning
of microphones 16 and 28 in the primary chamber 10. The secondary
chamber 32 has a reverberation time characteristic which is
preferably longer than that of the primary chamber, and is of a
time duration considered desirable for superposition in the primary
chamber 10 during the presentation of sound therein as will be
hereinafter described. The effective mean free path of the
reverberated sound in the secondary chamber 32 is of the same order
as that of the primary chamber 10. In other words, the average
distance that a sound wave travels between reflections in the
secondary chamber, with or without supplementary acoustic delay, is
of the same order of magnitude as that in the primary chamber. This
aids in effecting a spatial distribution and directional
illustration in the reverberated sound waves produced in the
secondary chamber 32. The total sound produced in the secondary
chamber 32, which comprises the original sound introduced therein
along with its increased reverberation, are picked up by a
plurality of microphones 34, 36, 38, 40, 42, and 44 positioned
within the secondary chamber 32 in an arcuate array as shown in
FIG. 1. The outputs from each of the microphones 34-44 are coupled
via respective amplifiers 46, 48, 50, 52, 54, 56 to respective
loudspeakers 58, 60, 62, 64, 66 and 68, said loudspeakers being
located in the primary chamber 10 and within the audience portion
14 of the primary chamber 10 so as to reproduce therein the
reverberation sound wave fronts as they are picked up in the
secondary chamber 32.
In operation of the system, the microphones 16 and 18 pick up
primarily the direct sound wave fronts from the stage area 12. The
spacing of the microphones 16 and 18 permits the sound to be
transduced in stereophonic relation so that similar sound wave
fronts can be recreated in the secondary chamber 32 by loudspeakers
28 and 30. The direct and reverberated sound picked up by the
microphones 34-44 in the secondary chamber 32 is amplified and
reproduced by their associated loudspeakers in the primary chamber
10 at a level such that the sound appears to come from the stage
area 12, and the reverberated sound from the secondary chamber 32
is smoothly blended with the natural reverberant sound in the
primary chamber 10.
For recording purposes, additional microphones 70, 72, 74, 76, 78
and 80 may be located on the stage 12 and audience 14 portions of
the primary chamber 10. These microphones may be connected to
respective input terminals of a suitable recording apparatus
indicated by the block at 82. Recording apparatus 82 may comprise
means for transcribing the sound audible in the primary chamber 20
and picked up by the microphones 70-80 on to recording tape or
phonograph records for commercial purposes.
The amplifiers shown in the drawing may include equalizers, filters
and acoustic delay means. Equalizers may be provided to selectively
vary the phase and/or amplitude of the signals processed
therethrough. Filters may be used to filter out or attenuate
certain frequencies as desired. Acoustic delay means which may be
electronic, mechanical, or acoustical may be employed to add
additional time to delay to the system.
The secondary chamber may be any size or shape so long as the
effective mean free path, with or without supplementary acoustic
delay of the reverberated sound is comparable to or of the same
order of magnitude as that of the primary chamber. Also, two or
more secondary chambers may be connected in series in order to
further modify the reverberation characteristics of the primary
chamber.
Referring now to the embodiment of FIG. 2, the system shown therein
was used to increase the reverberation time of the auditorium in
the Academy of Music in Philadelphia, Pa. This auditorium, when
used for recording, was though to have a "dry sound" and had a
reverberation time of about 1.4 seconds. With the system shown in
FIG. 2, the reverberation time of the auditorium was increased to
about 2.2 seconds. Specifically, with reference to FIG. 2, four
microphones 90, 92, 94 and 96 were arranged on stage 99 of the
Academy auditorium 100 in a position to pick up the direct sound
wave fronts of the music presentation from the stage. Sound picked
up by the microphones 90, 92, 94 and 96 was respectively coupled to
amplifiers 102, 104, 106 and 108. The outputs from amplifiers 102
and 104 were combined and fed to a first loudspeaker 110, and the
outputs from amplifiers 106 and 108 combined and fed to a second
loudspeaker 112, both of said loudspeakers being located in the
main ballroom of the Academy which was used as the secondary
chamber 114. Four microphones 116, 118, 120 and 122 located in the
secondary chamber 114 were respectively coupled to amplifiers 124,
126, 128 and 130, the outputs of which were combined as shown in
FIGURE to provide four signals for driving respective loudspeakers
132, 134, 136 and 138 in the audience portion 98 of the Academy
auditorium 100. For recording purposes, four microphones 140, 142,
144 and 146, located on the stage portion 99 of the auditorium,
were coupled to a recording apparatus 148. It was found that the
size and acoustical characteristics of the ballroom, along with the
arrangement of the loudspeakers and microphones in the auditorium,
and the ballroom, were such as to produce a realistic reproduction
in the auditorium with an enhanced reverberation effect. The
blending or integration of the sound originating in the auditorium
with its reverberations in the ballroom was accomplished without
affecting the time sequence, spatial distribution, and directional
illustration of the music. The enchancement process was carried out
without increasing the effective loudness of the direct orchestral
sound and without altering the inherent good acoustical
characteristics of the auditorium. The sound was transmitted from
the auditorium to the ballroom and back again to be blended with
the original sound so as to reinforce and enhance the sound as it
was heard and recorded throughout the auditorium.
In addition to the embodiments shown, a variation of the present
invention may comprise the use of plurality of secondary chambers
along with means for selecting which secondary chambers are to be
used to enhance the sound in the primary chamber. The reverberation
characteristics of the total sound originating in the primary
chamber may be varied by selecting a different secondary chamber
into which this sound is to be fed. The microphones in the primary
chamber may be so arranged with the selecting means so that the
various sound transduced by the individual microphones may be fed
to different secondary chambers. The sounds reverberated in the
secondary chambers may be selectively fed to various loudspeakers
arranged in the primary chamber. This embodiment will allow the
reverberation of a particular sound in the primary to be altered
without changing the reverberation of the other sounds.
* * * * *