Serial Number | 87863180 |
Registration Number | 5952704 |
Mark Drawing Code | 6000: Where no drawing is possible, such as for sound |
Attorney Name | Monica B. Richman |
Attorney Docket Number | 15260948-019 |
Law Office Assigned | L40 |
Employee Name | CANTONE, KERI H |
2013-03-01 | Date of First Use |
2018-04-04 | Application Filed |
2019-09-18 | Location: PUBLICATION AND ISSUE SECTION |
2019-10-22 | Published for Opposition |
2019-10-22 | Status: Live/Pending |
2019-10-22 | Transaction Date |
2020-01-07 | Trademark Registered |
Owner: | Kahoot! AS |
Entity Statement | aksjeselskap (as) |
Address | Tordenskioldsgate 25th Floor Oslo NO 0160 |
Legal Entity Type | |
Legal Entity State | NO |
Click the blue "Refresh" button to load certificates, specimines, application, and other documents.
International Codes: | 9 |
U.S. Codes: | 021,023,026,036,038 |
International Codes: | 41 |
U.S. Codes: | 100,101,107 |
International Codes: | 42 |
U.S. Codes: | 100,101 |
Type Code | Type |
---|---|
DM0000 | The mark consists of an upbeat reggae-like tune where they key is C Minor, and the BPM is 60. The tune is played by four instruments: an old school computer game synth for chords, the same old school computer game synth for bass, drums, and a wood block. The drums play a simple pattern of bass drum and snare drum, where first the kick plays an 1/8 note followed by an 1/8 note on the snare drum, followed by a 1/16 note pause, before the kick plays a 1/16 note before an 1/8 note on the snare drum. Two different sounds of a wood block (low pitch and higher pitch) are played repeatedly the first beat and the third beat throughout the song. The song consists of four main parts, where the first three main parts consist of two bars of chords and melody repeated two times. The last main part is made up of four bars where both the chords and the melody changes. For the two first main parts, the first bar is a C Minor chord, while the second bar is an F minor chord. The chords are played in the pattern of first an 1/8 note pause followed by two 1/8 notes where for the C Minor the G4 and D#4 are played and for the F Minor the F4 and C4 are played. The third main part plays the chords F Minor followed by a C Minor repeated twice. The fourth main part plays a G# Major, then a C Minor with G in the bass, then an F Minor, and finally a C Minor. The fourth part falls back to the same chord as in the beginning of the song, so the song can be looped. The melody is played two octaves below the chords, and starts off with a C2 1/4 note followed by a C3 1/4 note. The melody is mostly based on the chords being played. The melody is unison in main part one and two, and for two tones played in parallel for main parts three and four. The melody in part three starts with the characteristics two 1/8 notes of F1 and C4, two 1/8 notes of G#1 and F4, two 1/8 notes of C2 and G#4. |
DM0000 | The mark consists of an upbeat reggae-like tune where they key is C Minor, and the BPM is 60. The tune is played by four instruments: an old school computer game synth for chords, the same old school computer game synth for bass, drums, and a wood block. The drums play a simple pattern of bass drum and snare drum, where first the kick plays an 1/8 note followed by an 1/8 note on the snare drum, followed by a 1/16 note pause, before the kick plays a 1/16 note before an 1/8 note on the snare drum. Two different sounds of a wood block (low pitch and higher pitch) are played repeatedly the first beat and the third beat throughout the song. The song consists of four main parts, where the first three main parts consist of two bars of chords and melody repeated two times. The last main part is made up of four bars where both the chords and the melody changes. For the two first main parts, the first bar is a C Minor chord, while the second bar is an F minor chord. The chords are played in the pattern of first an 1/8 note pause followed by two 1/8 notes where for the C Minor the G4 and D#4 are played and for the F Minor the F4 and C4 are played. The third main part plays the chords F Minor followed by a C Minor repeated twice. The fourth main part plays a G# Major, then a C Minor with G in the bass, then an F Minor, and finally a C Minor. The fourth part falls back to the same chord as in the beginning of the song, so the song can be looped. The melody is played two octaves below the chords, and starts off with a C2 1/4 note followed by a C3 1/4 note. The melody is mostly based on the chords being played. The melody is unison in main part one and two, and for two tones played in parallel for main parts three and four. The melody in part three starts with the characteristics two 1/8 notes of F1 and C4, two 1/8 notes of G#1 and F4, two 1/8 notes of C2 and G#4. |
Description | Date | Event Coding |
---|---|---|
NEW APPLICATION ENTERED IN TRAM | 2018-04-07 | 1 NWAP I:Incoming Correspondence |
NEW APPLICATION OFFICE SUPPLIED DATA ENTERED IN TRAM | 2018-04-12 | 2 NWOS I:Incoming Correspondence |
ASSIGNED TO EXAMINER | 2018-04-18 | 3 DOCK D:Assigned to Examiner |
ASSIGNED TO EXAMINER | 2019-01-25 | 4 DOCK D:Assigned to Examiner |
NON-FINAL ACTION WRITTEN | 2019-02-01 | 5 CNRT R:Renewal |
NON-FINAL ACTION E-MAILED | 2019-02-01 | 6 GNRT F:First Action |
NOTIFICATION OF NON-FINAL ACTION E-MAILED | 2019-02-01 | 7 GNRN O:Outgoing Correspondence |
TEAS RESPONSE TO OFFICE ACTION RECEIVED | 2019-07-30 | 8 TROA I:Incoming Correspondence |
ASSIGNED TO LIE | 2019-08-06 | 9 ALIE A:Allowance for Publication |
CORRESPONDENCE RECEIVED IN LAW OFFICE | 2019-08-06 | 10 CRFA I:Incoming Correspondence |
TEAS/EMAIL CORRESPONDENCE ENTERED | 2019-08-06 | 11 TEME I:Incoming Correspondence |
TEAS VOLUNTARY AMENDMENT RECEIVED | 2019-08-29 | 12 PARI I:Incoming Correspondence |
CORRESPONDENCE RECEIVED IN LAW OFFICE | 2019-08-30 | 13 CRFA I:Incoming Correspondence |
TEAS/EMAIL CORRESPONDENCE ENTERED | 2019-08-30 | 14 TEME I:Incoming Correspondence |
APPROVED FOR PUB - PRINCIPAL REGISTER | 2019-09-16 | 15 CNSA O:Outgoing Correspondence |
NOTIFICATION OF NOTICE OF PUBLICATION E-MAILED | 2019-10-02 | 16 NONP E:E-Mail |
PUBLISHED FOR OPPOSITION | 2019-10-22 | 17 PUBO A:Allowance for Publication |
OFFICIAL GAZETTE PUBLICATION CONFIRMATION E-MAILED | 2019-10-22 | 18 NPUB E:E-Mail |
REGISTERED-PRINCIPAL REGISTER | 2020-01-07 | 19 R.PR A:Allowance for Publication |
TEAS REVOKE/APP/CHANGE ADDR OF ATTY/DOM REP RECEIVED | 2022-08-08 | 20 REAP I:Incoming Correspondence |
ATTORNEY/DOM.REP.REVOKED AND/OR APPOINTED | 2022-08-08 | 21 ARAA I:Incoming Correspondence |
TEAS CHANGE OF CORRESPONDENCE RECEIVED | 2022-08-08 | 22 TCCA I:Incoming Correspondence |
AUTOMATIC UPDATE OF ASSIGNMENT OF OWNERSHIP | 2023-07-19 | 23 ASGN I:Incoming Correspondence |
uspto.report is an independent third-party trademark research tool that is not affiliated, endorsed, or sponsored by the United States Patent and Trademark Office (USPTO) or any other governmental organization. The information provided by uspto.report is based on publicly available data at the time of writing and is intended for informational purposes only.
While we strive to provide accurate and up-to-date information, we do not guarantee the accuracy, completeness, reliability, or suitability of the information displayed on this site. The use of this site is at your own risk. Any reliance you place on such information is therefore strictly at your own risk.
All official trademark data, including owner information, should be verified by visiting the official USPTO website at www.uspto.gov. This site is not intended to replace professional legal advice and should not be used as a substitute for consulting with a legal professional who is knowledgeable about trademark law.